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Artist: Bag Of Rats
Album: Abbey Rodent
Label: Self Release
Tracks: 8
As an avid reader,
you would have thought I would be only too aware that you should never
judge a book by its cover, and the same should ideally go for music CDs
as well. Still, I have to confess that the reason it took me so long to
get around to listening to Bag of Rats' Abbey Rodent is simply because
of its dreadful artwork. Call me old fashioned, but I like to be able
to read the titles on a record without squinting (I can't); I like to
nonchalantly toss an album cover on to the coffee table in order to
impress the cat (I daren't); last but not least, there's my life-long
aversion to the endless stream of parodies concerning the Fabs'
swansong LP cover (hmm).
The music though, when I finally put my prejudices aside, is something
of a revelation. I expected the tunes on Abbey Rodent to beggar the
same question once again, posed originally by the late Frank Zappa,
'does humour belong in music?' but we are thankfully spared this. The
jokes on the sleeve (Make Love Not Warfarin) and disc (Rodent Advisory
Verminous Content) fortunately don't seep into the musical content,
with the possible exception of the opening line to "Hard Side of
Heaven" - 'Well I was walking with Peter Rabbit, when along came
Puberty Hare.'
A quick visit to either of the Bag of Rats' websites reveals a fun
bunch consisting of Ian D Withnail, Mike Hall, Mary Gilmour and Beerchan McCarthy and much of the fun and frivolity you imagine would be far more
enjoyable at live gigs, to which I suspect they excel. I have to stress
that there's nothing wrong with injecting fun into music, I'm just a
little wary of stretching a joke.
Kicking off with the old English rebel song "Song of the Times", the
Rats start off with some basic folk rock fare, introducing Beerchan's
heavily echoplexed fiddle, a sound you will become very much familiar
with throughout, and somewhere along the way, the song morphs into a
tequila stained knees up as if Flaco Jiminez had just crashed the
session.
The band do have a thing for arrangement and like to include influences
not normally associated with your common or garden rebel rogue folk
ensemble, such as Ska for instance. I do like their take on The Beat's
"Mirror in the Bathroom", which is sandwiched between "Willow Runner
and "A Shot in the Dark", and I was positively swinging to the jazzy
opening to "Hard Side of Heaven". The Rats' handling of traditional
tunes is competent and exciting. Imagine the Velvet Underground playing
"Drowsy Maggie" and there you have "Unreel" the penultimate tune on the
album.
The band says their sound is somewhere between the Spinners and
Hawkwind and have kindly left it up to us to decide exactly where that
point might be. Why am I suddenly imagining Stacia in nothing but a
nice thick Aaron sweater?
Allan Wilkinson
www.bagofrats.co.uk
www.myspace.com/bagofrats1
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